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Editor’s choices - our favourites from this month’s new releases
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New 1:43rd metal kit

TMS014 BAR 006 USA 2004
£52.70
Silverline continue to cover the 2004 grid, which is great news for F1 collectors. The latest is one of the most promising packages of the season and the well cast parts have been superbly thought out. One clever detail is the casting of the nose section separately, which fits very neatly and will make the assembly of the front end of the car much simpler than on many other F1 kits. Most of the complex aerodynamic features on the car are supplied as very thin, cleanly cast parts, a modest amount of photo-etching is included for suspension parts, wing endplates, brakes and the centres of the machined wheels. The decals are, as usual for this range, very clearly printed and with careful attention to the very good instructions a fine model can be built. The choice of the US Grand Prix is obviously aimed towards the Japanese market as it represents the first podium finish for the young charger and the first DNF for his team-mate Jenson Button, who had already had 6 podiums by the time they arrived at Indy.
New 1:43rd resin & metal hand built
MRC141MA Ferrari 250GT LWB California Covered lights. Also available MRC141MB - green & MRC141 - kit
£153.10
This model shows MR Collection at the top of their game. The model superbly captures the shape of the longer wheelbase version of the 250GT Spider California and is beautifully finished. The panel engraving is so sharp and precise, if we didn't know better we'd be trying to open the doors and bonnet, the paint finish is flawless and the detailing very precisely applied. When you see as many Ferrari models as we do, it's often difficult to get excited about the subjects, but this one's done the trick!
 
New 1:20th resin & metal kit

STU20178 Arrows A2 British/French GP 1979
£112.15
Tony Southgate's Arrows A2 'wing car' was one of the ultimate interpretations of the ground effect principle and made its debut at the French Grand Prix in the hands of Riccardo Patrese and Jochen Mass. Studio 27's superbly cast kit captures the shape of this extreme design very well indeed and the carefully thought out parts will make for a relatively simple build. The castings are, as usual from Studio 27, excellent and the small differences between the car as it appeared in the French and British Grands Prix are well observed. The instructions are clearly drawn and highlight which parts to use for each version but the decal placement shown on the instructions for the small suppliers logos appears to be for the Dutch GP. All of the correct decals are in the kit but you will need race photos to place them properly. The end result will be a fabulous looking model as Studio 27's photo shows.
New books
ISBN0760317836 Vintage American Road Racing Cars by Harold Pace & Mark Brinker. weight 2.1kg
£35.00
We're all familiar with the more famous racing Cobras, Chaparrals, Corvettes etc that were built in the USA during the 1950s and 60s, but there were hundreds of small manufacturers and special builders too. From Aardvark to Zink they're all in here. The cars included come in all shapes and sizes, from tiny 750cc Crossley and Panhard-powered specials to the 7-litre Can-Am monsters. In addition to the overall alphabetical listings and profiles there are chapters highlighting the engine-swap specials such as Jim Hall & Carroll Shelby's Chevy-powered Ferrari 'Bastard' and for the kit-car manufacturers who supplied fibre-glass bodies for budding special builders. There are also various appendices enabling cross referencing of the subjects included by year, constructor, body builder, engine type or racing class. There are plenty of photographs throughout and these are a mixture of period images and those of the cars as they have survived and are being used in modern 'Vintage Racing'.


It's all fascinating stuff and there is plenty of potential here for the braver model manufacturers or those with specific themed collections who feel brave enough to scratch build or modify existing kits to fill particular gaps.